The blacksmith makes his no-god, works it over in his forge, hammering it on his anvil—such hard work! He works away, fatigued with hunger and thirst. The woodworker draws up plans for his no-god, traces it on a block of wood. He shapes it with chisels and planes into human shape—a beautiful woman, a handsome man, ready to be placed in a chapel. He first cuts down a cedar, or maybe picks out a pine or oak, and lets it grow strong in the forest, nourished by the rain. Then it can serve a double purpose: Part he uses as firewood for keeping warm and baking bread; from the other part he makes a god that he worships—carves it into a god shape and prays before it. With half he makes a fire to warm himself and barbecue his supper. He eats his fill and sits back satisfied with his stomach full and his feet warmed by the fire: “Ah, this is the life.” And he still has half left for a god, made to his personal design—a handy, convenient no-god to worship whenever so inclined. Whenever the need strikes him he prays to it, “Save me. You’re my god.”
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